Jurassic World: The Devolution of Wonder

Having established in my inaugural piece that I’ll largely be using my shiny new digital soapbox to dissect films with little immediate relevance, I’d like to dedicate the next few pages to a movie that filled me with fear and loathing upon release and continues to gnaw at me today.

That movie is 2015’s Jurassic World, a soft reboot of the Jurassic Park franchise that spent its opening weekend grossing a cool half-billion and the remainder of its theatrical run somehow convincing an entire planet it was something worth seeing.

After the logical yet disjointed walkathon-turned-Godzilla-homage that was 1997’s The Lost World and the poorly-rendered incremental snooze-fest that was 2001’s Jurassic Park III, the series returned to Isla Nublar and its theme park roots with Jurassic World for a brand new adventure that, not unlike The Force Awakens, basically repackaged its first one, minus all the emotional resonance.

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