Thor: Ragnarok and the Marvel Problem

Marvel’s latest popcorn-muncher, Thor: Asgardian Rhapsody, premiered this month to critical acclaim, serving audiences a god’s portion of colourful, lighthearted, and (barring a few ‘edgy’ words) family-friendly entertainment and proceeding to earn Disney somewhere in the vicinity of ninety-two zillion dollars.

I wrote that paragraph at the end of October in complete confidence it would prove itself to be true – not because I’m some kind of absurdly intelligent Sherlock-figure who can determine the outcome of any given scenario courtesy of a supercomputer brain coupled with increasingly lazy writing – but because Disney is at the top of its A-game in regards to its Marvel properties and has yet to truly fail.

With something like seventeen bloody installments of the MCU in the can, Disney has all but mastered a formula for bona fide theatrical enjoyability combined with a guaranteed financial return that largely consists of making everything look and feel like Guardians of the Galaxy, and after a glance at their future release schedule it’s evident they’re only gaining momentum. Strap on your seat belts, kids, because we’re going to get nine Marvel movies a year until we’re all rotting in the ground.

Continue reading Thor: Ragnarok and the Marvel Problem