2022 Top Ten List (For Real)

In the words of a certain animated saber-toothed cat, who’s up for round two?! That’s right, folks – since I’ve barely updated this site in the past year, you’re getting two top ten lists for the price of one. In my last post, I disclosed a few personal reasons why I haven’t been giving Snooty Film Critic much attention lately, so I feel it’s only fair and natural to open this official top ten with one more. As a younger man, I took a perverse delight in seeking out bad movies and systematically dismantling them in long online rants, mostly to annoy people who watch movies for mindless escapism or worse – enjoyment. Movies like Man of Steel, Jurassic World, Venom, and 2016’s Suicide Squad were all targets of my caustic assessments in one form or another over the years, and while taking a Critical Drinker approach to bad movies is certainly fun, there just comes a point in life when it isn’t rewarding anymore. Like the hard-drinking, chain-smoking persona I regrettably spent years enabling, trashing movies for the sake of it just isn’t really me anymore. At this stage in life, I find I’m more interested in praising and appreciating films I like rather than dismembering movies I don’t. Maybe it’s the natural benevolence that sets in after one turns 30; maybe it’s the fact that my time has become more precious as I stare down the barrel of eternity in a post-COVID world; and maybe it’s the fact that I can’t be compelled to sit through anymore bloody comic book movies.

Whatever the case, here’s my real Top Ten for 2022:

Continue reading 2022 Top Ten List (For Real)

Mayhem: It’s Exactly What it Sounds Like

Ahh, Christmas time – a festive season of peace, love, and goodwill extended to everyone you spent the rest of the year flipping off. Families congregate under chintzy decorations and pretend to tolerate one another over extravagant feasts, Die Hard loops endlessly on an impulsively-purchased 4K TV, and everyone represses all their inner rage that’s been mounting since the last election and forces some good cheer on a holiday that’s devolved into a cynical capitalistic cash-grab.

Seems like a good a time as any to discuss Mayhem – no, silly reader, not the state of Warner Bros’s accounting department following Justice League’s opening weekend; I’m talking about the new action-horror-comedy extravaganza by world-famous director (reads off cue card) Joe Lynch. Since premiering at Cannes back in May it’s been heralded by critics as Office Space meets The Purge, and since viewing it myself I’d personally add the endorsement ‘on cocaine’ to fully capture its spirit.

Continue reading Mayhem: It’s Exactly What it Sounds Like