In the words of a certain animated saber-toothed cat, who’s up for round two?! That’s right, folks – since I’ve barely updated this site in the past year, you’re getting two top ten lists for the price of one. In my last post, I disclosed a few personal reasons why I haven’t been giving Snooty Film Critic much attention lately, so I feel it’s only fair and natural to open this official top ten with one more. As a younger man, I took a perverse delight in seeking out bad movies and systematically dismantling them in long online rants, mostly to annoy people who watch movies for mindless escapism or worse – enjoyment. Movies like Man of Steel, Jurassic World, Venom, and 2016’s Suicide Squad were all targets of my caustic assessments in one form or another over the years, and while taking a Critical Drinker approach to bad movies is certainly fun, there just comes a point in life when it isn’t rewarding anymore. Like the hard-drinking, chain-smoking persona I regrettably spent years enabling, trashing movies for the sake of it just isn’t really me anymore. At this stage in life, I find I’m more interested in praising and appreciating films I like rather than dismembering movies I don’t. Maybe it’s the natural benevolence that sets in after one turns 30; maybe it’s the fact that my time has become more precious as I stare down the barrel of eternity in a post-COVID world; and maybe it’s the fact that I can’t be compelled to sit through anymore bloody comic book movies.
Whatever the case, here’s my real Top Ten for 2022:
Continue reading 2022 Top Ten List (For Real)
It’s been a while, hasn’t it? I’ll open by apologizing to my half dozen fans for the lack of snooty film critiques recently (by which I mean, since 2021). At various points throughout 2022, I intended to sit down and pen proper reviews for films I actually enjoyed such as Barbarian and The Black Phone, but alas, I lacked conviction. The reasons for my lack of attention to my snooty film critic persona are simple. First and foremost, most of my time and energy when it comes to writing these days have been devoted to serious writing, not film critiques no one reads (any agents out there looking to represent a sci-fi novel? How ‘bout two?). Second, I’m a lot healthier than I was when I first began this venture – I seldom drink anymore and I quit smoking completely (yay!), so the persona I cultivated of an alcoholic, chain-smoking, basement-dwelling, embittered film critic now seems strange and alien to me. Finally, I see so few contemporary movies nowadays, and most of the ones I do end up seeing are too nondescript for words. Hate to say it, but 2022 presented some of the most boring, forgettable, overhyped, uninteresting, nondescript, and unmemorable movies I can barely remember watching.
In order from least boring to most boring, they are:
Continue reading 2022 Top Ten… Blandest Movies List (Number 5 Will Bore You to Tears!)
Long ago, in the mythical, sepia-toned era of hope, liberty, and prosperity that was 2019, I watched a grand total of 38 new films. That was 38 newly-released films from the beginning of January to the end of December, 38 separate contributions to the operating costs of both my local Theatrical Symposium for Degenerate Fancies and reputable Cineplexes in neighboring towns, 38 fresh notches on my cinematic utility belt. As far as the film industry was concerned, it was a pretty packed year, and that’s factoring my intentional avoidance of most mainstream tentpole releases (I’m pickier than the average wannabe film critic and therefore only subject myself to films that appeal to me, so no, I didn’t see f***ing Captain Marvel). Even with nearly forty citations on my annual cinematic rap sheet, I still had a hell of a time populating 2019’s Top Ten, because the vast majority of movies I watch simply don’t resonate with me (really, I should just pen an annual Top Four List for all the films I actually end up remembering by the time I turn over my ‘Seasons of Ryan Reynolds’ wall calendar).
Continue reading 2020 Top… One List: Featuring ‘I’m Thinking of Ending Things’ and True Confessions of a Personal Nature
My feelings towards 2019 as a year-in-film are mixed, because it felt like two radically different years fused together in the middle whose individual parts ultimately coalesced about as well as bone marrow and cheddar cheese. January until about June was one of the most disheartening seasons I can recall, and that was despite a conscious effort to avoid movies I knew I’d hate such as Godzilla: King of the Kong and X-Men XXII: Dark Phoenix Revisited. I must have angered the Indie Film Gods at some point, because there were key movies in the early portions of 2019 that I had pegged for a slot on the ol’ Top Ten that proved woefully disappointing. In fact, until about July I had been getting ready to give up on films altogether and devote myself to more worthy pursuits, such as reading, exercising, and dating—oh God, help me…
July, however, triggered a dynamic shift in the quality of films available to me, with some surprisingly great films trickling into my hometown’s Theatrical Symposium for Degenerate Fancies (likely by accident) and slowly but surely filling up my Top Ten.
Continue reading 2019 Top Ten List
2018 started with such promise, but much like that one Thanksgiving where I attempted to make beef wellington for my loved ones, it ended with decimated expectations, disillusionment in the promise of good things, and a round of pumped stomachs. Though a few worthwhile releases certainly caught me by surprise, by and large this was a tedious and mediocre year marked by bitter disappointments, even where my beloved Indie market was concerned. Many of the films I had high hopes for fell flatter than grandma after that aforementioned Thanksgiving dinner, while other movies I had no expectations for whatsoever taught me to never again ask “How bad could it possibly be?” unless I’m planning on French kissing a pencil sharpener.
Continue reading 2018 Top Ten List
When I looked back on 2017 in preparation for this list, I realized I actually liked most of what I saw. Maybe it was a rare quality year for cinema (unlikely), or maybe I’ve just become increasingly scrupulous about the films I choose to view (bang on). Whatever the case, after slotting the eight films I loved enough to purchase on DVD, I found it was a bit of a challenge to sort through the plethora of other films I just sort of liked in a ‘Good 7’ kind of way but don’t harbour much enthusiasm for. This pool of films included The Founder, John Wick 2, War for the Planet of the Apes, Wind River, Spider-Man: Homecoming, and The Meyerowitz Stories, which were all certainly good but not good enough that I’d brand any of them Top Ten material.
Continue reading 2017 Top Ten List